I SEE WHERE YOU'RE COMING FROM ...

I made this for the Sunday Stamper's challenge, which was to use "golden brown". It looks a bit more orange in the picture, but it is (sort of) that colour - I messed around with Distress inks on watercolour paper until I thought I'd got it right.

Now I did mention yesterday that I was in a slightly off the wall mood didn't I? Well this is the evidence ..... I do actually know what I meant but now I look at it again, perhaps it's a bit strange. Hey ho, can't win them all.

The background stamp of houses is by Teesha Moore, and so is the strange eye. I added the other houses from an unidentified collage sheet. I was thinking about home and our sense of identity and a sort of play on words around the saying .... as if someone could actually see your home town by the things you said? Yes, well it made sense to me at the time ....

PEAR SHAPED

NOW TRADED
I made this for this week's TMTA challenge which is to use a food/drink related theme. I took a slightly sideways view of it, starting with the large pear which is a stamp but I don't know who by!

The background is of course Distress Inks with a Tim Holtz image stamped over it. The small pear image is from an Artchix collage sheet and the face is from a Teesha Moore collage sheet.

I was in a slightly off the wall mood with this (and the one I'll show you tomorrow), getting away from vintage for a change. The more I play with Distress Inks the more I love them, particularly for colour shaded backgrounds like this.

And the story? Well as you can see the background is an accounts sheet, and our heroine runs a factory making pear-shaped items. However in these troubled financial times she can see that the balance sheet is going downhill and disaster looms. Should she bail out now? Will a handsome investment banker come along to rescue her .... watch this space!!

I KNOW WHY THE CAGED BIRD SINGS

NOW TRADED
I made this ATC for the Theme Thursday challenge where the theme is birds. I absolutely love this image from a Teesha Moore collage sheet - he looks a bit of a wily old bird doesn't he? Makes me smile.

The background is made with Distress Inks on a linen finish card, and I took inspiration from the colour and pattern on the bottom of the picture for the zig zags on the sides, which I did with watercolour pencils and a permanent pen marker. The letters at the top are from a Tim Holtz distressibles sheet, and the wording comes from the title of American writer Maya Angelou's first volume of autobiography.

Perhaps these words are a quote from something else, so if you know where from do please tell me. I've always loved them and they speak powerfully to me, so perhaps for this reason I'm tempted to keep this one ... unless you want to get in touch and tell me why I actually made it for you??

AT THE DROP OF A HAT

... I'll be back in the pink! Well I must be feeling (a bit) better because I was in pink mode again yesterday. Made this for the TGIF challenge where the theme this week is hats.

The background is leftover scrapbook paper, and the image is from Digital Collage Sheets. Those famous Kelly Panacci border stamps have crept in again - goodness I've had my money's worth from them already, they are just so useful!

Can't remember where the pointy finger stamp came from, but I've coloured it with watercolour pencils to make it stand out. This is quite a simple construction but I like it, and I'm pleased with the fact that I didn't put the picture square in the middle - I'm such a straightist, it's a huge development for me to put things on at an angle, or down at the bottom like this!!!

OVERDONE IT A BIT ...

Went to the Hobbycrafts show at the NEC yesterday and might possibly have overdone it a bit. Even with my Zelda Zimmer frame it's a long day on your feet and it always knocks me for six, but I don't care (much anyway) because it's worth it for a creative day's shopping!

This is my set of inchies made for our challenge over on the Awfully Big Art Adventure. I hadn't done any before, feeling that they didn't offer enough scope in such a small space. It was only when I saw a set of them altogether that I began to get it, and it was only after I'd made these that I read somewhere about inchies which tell a story ... so that's got to be worth a try with my love of making up stories!!

Mounted up and framed these would make quite a good Christmas present wouldn't they? Hmmmm where did I put that ruler .....?

JUST CLOWNING AROUND

NOW TRADED
I made this for the Crazy Amigo challenge, which this week was blue and red. It isn't really a colour scheme that comes naturally to me who's first love is a vintage look, however that's what challenges are about, right?

I was given a brilliant book for my birthday called Rubber Stamping Artist Trading Cards, and I always find it inspirational on days like today when my brain doesn't work (still coughing). This arose out of something in the book and it's quite different from my usual work and I'm not even sure if I like it!

The clown stamp is by Invoke Arts, but I can't remember who makes the Latin text stamp. I struggled with the colour scheme at first because the blue and red were the same "value", but the introduction of the turquoise (also blue right?) sorted it all out.

Tomorrow I'm off to the hobbycrafts show at the National Exhibition Centre - taking my new Zelda Zimmer Frame for a walk. SO looking forward to my annual outing!!

TRAVELLING ON ...

After my weekend travels (in which I developed a horrid catarrhal infection, lost my voice and ended up miserable!) I couldn't wait to get back to creating. Now I know I said I wouldn't be making any more, but you have all heroically reduced my ATC mountain, so I couldn't resist working in my best beloved brown vintage style on an ATC .... it's simply my favourite way to work, and I did need cheering up.

I've been reading a book about life in colonial India, in which quite small children were routinely put on trains unaccompanied except by luggage, and left in the care of the guard until met at their destination! Can you imagine doing that now - social services would have a FIT, and child neglect prosecutions would be sure to follow ...

Anyway, that's what I was thinking about when I made this - I used a remnant of scrapbook paper for the background and found this picture of luggage online. The rather worried looking little girl sitting on the top is from Digital Collage Sheets, and the ticket is a stamp by Invoke Arts. The words are all taken from Tim Holtz distressibles sheets.

Can't you just imagine her sitting on her trunk at the station waiting for mama and papa to come and collect her? Has there been a misunderstanding about train times, have they forgotten about her? The poor little thing does look a teeny bit anxious doesn't she?

This is the block (approximately ATC sized) that I made for our challenge over on Awfully Big Art Adventure.

I gave the wooden block a couple of coats of gesso to give me a smooth surface to work on, then painted the block with Crackle paint in frayed burlap. To make the panels I used an art paper onto which I printed architectural drawings, adding a gothic looking stamped edge.

Both the angels are photos found on the internet which I cut out, and all the writing is computer generated. The text is from a Paul Simon song "You can call me Al".

I'm a long-standing fan of Paul Simon whose lyrics are often beautiful, though frequently obscure. The line "he sees angels in the architecture" always spoke to me of something understood however - the soaring gothic of our English (and European) cathedrals has always made me think that if you looked up to the heights of the roof and spires, you might expect to see angels gathered there looking down. I've wanted to do a piece about that for some time and now I have - although I've got a much larger triptych that I also want to use in a way that celebrates my theological beliefs, so might expand this idea.

Shan't be posting this weekend as we're going back up to our old haunts of the Lake District, where we used to live until 2 years ago. It will be strange, possibly even spooky, going back but the chance of a weekend to ourselves is so rare (MIL lives with us) that we jumped at the opportunity. See you next week!

PRESENT FOR MY FRIEND

I made this yesterday for a friend's 50th birthday. It's 6 x 6" and goes in one of those deep box frames. I've photographed it out of the frame because of reflections on the glass. She said she didn't want any birthday presents because she doesn't need anything, but I wanted to make her something to tell her that I value our friendship. We met when we were both suffering from deep depression and helped each other through a bad time, which has made a lasting bond between us even though we no longer meet very often since I moved.

She tends to like "cute" pretty stuff and I don't, so I've tried to make it more her style than mine ... not an easy challenge! I just can't do cute bears or whatever .... it isn't ME.

Anyway, despite it being quite "pretty" I do like how it has turned out. The background is a Basic Grey paper and the pewter butterfly sticker is by Magenta - I bought it in a sale ages ago, one of those "it's bound to come in for something" buys! The friendship quote is mounted onto blue card to make it stand out, and then I stamped the (Autumn Leaves) swirls around it.

Then I stamped the larger butterflies onto watercolour paper and painted them, then mounted them quite high on two foam pads to take advantage of the deep frame and make it more 3D, although the photo doesn't show this very well. It still looked just a little bare, so I added another stamped small butterfly, which seemed to finish it off nicely. I think she'll like it.

I MADE A JOURNAL!!

I've been taking an online course by Sue Bleiweiss to learn the art of journal making, and this is the first project in the course.

The cover is made with pelmet vilene onto which is fused cotton fabric, then the edges are all satin-stitched. The course suggested a velcro closure but I chose to do a button and loop, although there are any number of ways to fasten it.

The next stage was to make sets of pages, known as "signatures" which I cut out of watercolour paper. I made six signatures and they are all stitched in place along the spine of the cover. As you can see from the open picture, I have already decorated some of the pages, but only a little until I decide what this album will be for. It's going to be MINE whatever, but I'm so glad I've learned this technique because it will be great to make these as gifts.

PLAYING DOMINOS

I recently subscribed to an online Domino Book class from Joggles and I've had such fun with it!
The larger dominos are "tournament" size, and give you a good area to work on. You have to remove the metal stud which many have, but it flirts out easily enough with the point of a knife. Then you work on the flat area with alcohol inks - the first picture shows the effects I was getting (and yes I did forget to take the picture until I'd stamped one set!).

When the inks are dry - which takes very little time - you can stamp over them using Stazon ink pads. The tutorial gave a good tip to make a little "handle" for the domino with masking tape so that you could take the domino to the stamp rather than the other way around. The second picture shows the results - perhaps in future I would make the backgrounds a bit simpler, because the stamped designs don't show too well.

The 3rd picture shows the final stage in which (using a Krylon leafing pen) you gild the edges, coming right over onto the top side, and indeed onto the back as well. The dots will eventually be covered by a set of accordian style book pages, but we haven't done that bit yet! I've enjoyed this so much I now need to go out and buy some more dominos to play with .....

JUST LOVING THAT PINK

This is the box file I altered for the Big Art Adventure - its an old foolscap file which was very tatty. I didn't bother with any preparation I just set to and painted it with acrylic, and then added a sealant coat of matte Mod Podge. Because the box is quite big, particularly lengthways, I couldn't get my scrapbook paper to go out to the edges without piecing, but I think the panels work pretty well. The paper is a sparkly one from the K & Co Smitten range.

I painted the grungeboard hinges, key and file tab with black metallic acrylic, and added a keyhole from my stash. You have to admit that the result is a thing of beauty and a joy forever even if I say so myself!! I've got another one somewhere which may well get similar treatment.