While I was in Virginia back in May I bought myself a gelli printing plate, but have only recently managed to find time to play with it. This page is the product of one of my early efforts - and I'm pleased to say that I managed to print directly onto a page in my (wire bound) journal, without needing to either extract all the pages or paste one in! Success.
My first few experiments were on separate sheets, but eventually I had a go in the journal and was thrilled with the results I got on the lovely quality paper - I didn't risk best quality paper on the the first ones! So anyway, below you can see what I got - I understood why I'd got the white patches (uneven pressure on the plate) but didn't care too much. In fact what I did was use some yellow paint to sort of "fill in" the gaps.
But what I really LOVE is the pattern it gives on the paper (you do need to use plenty of paint). Don't know how to describe it really, but the close-up picture below gives you a better idea - very organic-looking somehow?
So then I had a gorgeous page in my journal that I couldn't WAIT to work on. Black seemed like an obvious foil for the pink, orange and yellow and I started with a bit of collage in the top right corner and a picture of my heroine Frida Kahlo in the other. Then I started doodling a black line around areas that seemed to be shapes in their own right ... and it sort of went from there!
In fact I go SO absorbed in what I was doing that I forgot to take any more pictures until I'd finished it, but at some stage I made the connection between the organic shapes I was working with and Frida and me .... so it kind of became about the little cells and bugs than are the unseen enemy (pain) and how you can find against it.
Because of course, that's why Frida is my heroine, because she did and she made art anyway even when she had to lie in bed and work on an easel which rolled towards where her hand was, because she could hardly move. Now that's heroism! Am not heroic but try to be brave in my own small way .... at least on my better days anyway!
My first few experiments were on separate sheets, but eventually I had a go in the journal and was thrilled with the results I got on the lovely quality paper - I didn't risk best quality paper on the the first ones! So anyway, below you can see what I got - I understood why I'd got the white patches (uneven pressure on the plate) but didn't care too much. In fact what I did was use some yellow paint to sort of "fill in" the gaps.
But what I really LOVE is the pattern it gives on the paper (you do need to use plenty of paint). Don't know how to describe it really, but the close-up picture below gives you a better idea - very organic-looking somehow?
So then I had a gorgeous page in my journal that I couldn't WAIT to work on. Black seemed like an obvious foil for the pink, orange and yellow and I started with a bit of collage in the top right corner and a picture of my heroine Frida Kahlo in the other. Then I started doodling a black line around areas that seemed to be shapes in their own right ... and it sort of went from there!
In fact I go SO absorbed in what I was doing that I forgot to take any more pictures until I'd finished it, but at some stage I made the connection between the organic shapes I was working with and Frida and me .... so it kind of became about the little cells and bugs than are the unseen enemy (pain) and how you can find against it.
Because of course, that's why Frida is my heroine, because she did and she made art anyway even when she had to lie in bed and work on an easel which rolled towards where her hand was, because she could hardly move. Now that's heroism! Am not heroic but try to be brave in my own small way .... at least on my better days anyway!
1 comment:
The detail in your doodling is just wonderful, especially when you may be in pain. I am off to google ...
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